Alexander Tovborg (b. 1983, Denmark) explores the roles that history, mythology and religion play in human identity and the world we inhabit. His research into the origins and contemporary iterations of symbology, mysticism, and religious archetypes has yielded varied bodies of work and expressions.

Alicja Kwade (b. 1979, Poland) lives and works in Berlin. Her work investigates and questions the structures of our reality and society and reflects on our perceptual habits in our everyday life. Her diverse practice is based around concepts of space, time, science and philosophy, and takes shape in sculptural objects, public installations, video and even photography.

Daniel Buren was born in 1938 in Paris. He lives and works in situ.

Hesselholdt & Mejlvang (b. 1974 and 1976, Denmark) are a Danish artist duo who began working as a collective in 1999. Their practice is focused on site-specific, large-scale installations that investigate concepts of collective identity, and how these inform and are affected by socio-political structures. Rooted in extensive research as an integral modus operandi, their work often incorporates performance and active use of the public space.

Jenny Holzer (b. 1950, USA)  has presented her astringent ideas, arguments, and sorrows in public places and international exhibitions, including the Venice Biennale, the Guggenheim Museums in New York and Bilbao, the Whitney Museum of American Art, and the Louvre Abu Dhabi. Her medium, whether a T-shirt, plaque, or LED sign, is writing, and the public dimension is integral to her work. Starting in the 1970s with New York City street posters and continuing through her light projections on landscape and architecture, her practice has rivaled ignorance and violence with humor and kindness.

Jeppe Hein (b. 1974, Denmark) is widely known for his production of experiential and interactive artworks that can be positioned at the junction where art, architecture, and technical inventions intersect. Unique in their formal simplicity and notable for their frequent use of humour, his works engage in a lively dialogue with the traditions of Minimalist sculpture and Conceptual art of the 1970s. Hein’s works often feature surprising and captivating elements which place spectators at the centre of events and focus on their experience and perception of the surrounding space.

Katharina Grosse (b. 1961, Germany) has gained international reputation mainly with her large-scale site-related paintings, where she sprays unmixed colours directly across any kind of materials, across objects, interiors, entire buildings or even landscapes.

Martin Creed (b. 1968, UK) graduated from the acclaimed Slade School of Art at University College London in 1990, and in 2001 he won the prestigious Turner Prize with ‘Work No. 227: The lights going on and off’. His work includes films, installations, paintings, theatre and live-action sculptures.

Monster Chetwynd (b. 1973, UK) is known for her exuberant performance pieces, featuring handmade costumes, props and sets. Chetwynd describes her work as ‘impatiently made’, often reusing everyday materials that are easy to process and use by the many performers she invites to participate, emphasizing the notion of collective development that informs much of the artist’s work.

Nico Vascellari (b. 1976, Italy) lives and works in Rome. His work is constantly bridging between diverse and heterogeneous mediums, such as performance, sculpture, video art, large multimedia bodies of works mainly investigating on the relationship between nature and men.
His approach aims to reach and entangle with hybrid social layers, always meaning to stimulate a dialogue between his art and a varied range of audience.

Tania Bruguera (b. 1968, Cuba) is an artist and activist whose performances and installations examine political power structures and their effect on society’s most vulnerable people. Her long-term projects have been intensive interventions on the institutional structure of collective memory, education and politics.

Through performance, photography and drawing Tosh Basco (b. 1988, USA) mitigates the space where language, representation and becoming exist as seemingly discrete entities. Her improvisational movement-based work under the name boychild arose from the underground drag scene in San Francisco. She is co-founder of the collaborative entity Moved by the Motion with Wu Tsang and collaboration remains a vital aspect to her work.